plate no. 6806
The Annunciation
Jan van Eyck, 1435
experienced study
Recreating this painting will help students develop skills in rendering complex textures, drapery, and architectural details, as well as understanding the use of light and shadow to create depth and form.
technical profile
palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2
study guide
est. 60 hrsapproach — 8 steps
- step 01
Begin with a detailed sketch of the composition, paying close attention to perspective and proportions.
- step 02
Establish the basic color blocks for the background, figures, and objects.
- step 03
Develop the drapery folds and textures of the clothing, using layers of thin glazes.
- step 04
Paint the architectural details, including the columns, arches, and windows.
- step 05
Add the intricate patterns and details of the textiles and floor.
- step 06
Refine the faces and hands of the figures, paying attention to subtle expressions.
- step 07
Add the final details, such as the lilies, book, and dove.
- step 08
Glaze and varnish the painting to achieve the desired finish.
color palette
primary · ultramarine blue · crimson red · ivory black · yellow ochre
secondary · viridian green · gold · burnt umber
Achieve the rich colors by layering thin glazes of transparent pigments. Mix blues and blacks for shadows in the blue robe, and reds with browns for the angel's robe. Use white and yellow ochre to create highlights.
techniques
- ·glazing
- ·scumbling
- ·underpainting
- ·linear perspective
- ·rendering textures
common pitfalls
- →Inaccurate proportions in the initial sketch.
- →Overworking the paint and losing the luminosity of the glazes.
- →Failing to capture the subtle expressions of the figures.
- →Inconsistent perspective in the architectural details.
materials
surface · smooth gessoed panel or stretched canvas
required
- ·stretched canvas
- ·oil paints
- ·linseed oil
- ·turpentine
- ·assorted brushes (small round, flat)
- ·palette
- ·palette knife
- ·easel
optional
- ·retouch varnish
- ·damar varnish
- ·drying retarder
Use high-quality oil paints for the best results. Allow each layer of glaze to dry before applying the next.
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