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home·artworks·The Alchemists
The Alchemists by Pietro Longhi

plate no. 6385

The Alchemists

Pietro Longhi

oil, canvasRococogenre paintingfiguresinterioralchemylaboratorybooksfireplace
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding how to create a sense of depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Establish the overall warm, muted color palette by applying a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main areas of color for the figures' clothing, the fireplace, and the background, focusing on accurate value relationships.

  4. step 04

    Develop the light source by adding highlights and shadows to create form and volume.

  5. step 05

    Refine the details of the figures' faces and hands, paying attention to subtle expressions and gestures.

  6. step 06

    Add details to the background elements, such as the shelves, bottles, and books, to create a sense of depth and atmosphere.

  7. step 07

    Glaze over areas to unify the colors and create a sense of harmony.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Achieve the muted tones by mixing earth tones with small amounts of black and white. Use thin glazes of color to build up depth and richness.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.

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