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home·artworks·The Adoration of the Shepherds
The Adoration of the Shepherds by Hugo van der Goes

plate no. 1175

The Adoration of the Shepherds

Hugo van der Goes, 1480

oil, woodNorthern Renaissancereligious paintingfiguresreligious scenenativityangelanimalslandscape
experienced study

Recreating this painting will help students develop skills in rendering realistic figures with subtle shading, and understanding complex compositions with multiple focal points. It also provides practice in creating depth through atmospheric perspective and careful color mixing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major figures and the crib, paying attention to proportions and placement.

  2. step 02

    Establish the background tones and the general light source, using thin washes of color.

  3. step 03

    Block in the main colors of each figure's clothing and skin tones, focusing on the overall value structure.

  4. step 04

    Start building up layers of color, gradually adding details and refining the forms.

  5. step 05

    Pay close attention to the subtle gradations of light and shadow on the faces and hands.

  6. step 06

    Add the details of the animals and the crib, using smaller brushes for precision.

  7. step 07

    Refine the background details and add any final touches to enhance the overall composition.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · red ochre · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing white, red ochre, and a touch of yellow ochre. Create shadows by adding raw umber or burnt sienna. Use ultramarine blue and raw umber to create a range of dark, muted tones for the background and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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