apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Adoration of the Magi
The Adoration of the Magi by Albrecht Altdorfer

plate no. 4944

The Adoration of the Magi

Albrecht Altdorfer, 1535

oil, woodNorthern Renaissancereligious paintingfiguresarchitectureskylandscapereligious scenefoliage
experienced study

Recreating this painting will help students develop skills in rendering complex textures, drapery, and architectural details, as well as understanding atmospheric perspective and figure composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Block in the main areas of color, starting with the sky and the background architecture.

  3. step 03

    Begin to define the figures, paying attention to their proportions and poses.

  4. step 04

    Add details to the clothing and the gifts, using thin layers of paint to build up the textures.

  5. step 05

    Work on the faces, using subtle variations in color to create realistic skin tones.

  6. step 06

    Add the foliage and other details to the background, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the lighting and shadows, paying attention to the overall mood of the painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · cadmium red · yellow ochre

secondary · viridian green · titanium white · ivory black

Achieve the rich, deep colors by layering thin glazes of paint. Mix greens by blending blue and yellow. Use white to create highlights and lighten colors.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition.
  • →Using too much paint, which can lead to a muddy and overworked appearance.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley