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home·artworks·Thémistocle Se Réfugie Chez Admète
Thémistocle Se Réfugie Chez Admète by Charles-Philippe Lariviere

plate no. 1651

Thémistocle Se Réfugie Chez Admète

Charles-Philippe Lariviere

oilAcademicismhistory paintingfiguresarchitecturerobescolumnslandscapemythology
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, paying attention to atmospheric perspective and softening details.

  4. step 04

    Refine the figures, focusing on accurate anatomy and drapery folds.

  5. step 05

    Mix and apply skin tones, building up layers of color to create depth and realism.

  6. step 06

    Add details to the architecture, such as columns and arches.

  7. step 07

    Refine the lighting and shadows, creating a sense of depth and drama.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black

Mix skin tones using titanium white, burnt umber, yellow ochre, and a touch of cadmium red. Create shadows by adding ultramarine blue or ivory black to the skin tone mixture. Achieve the red drapery by mixing cadmium red with burnt umber for darker shades and titanium white for highlights.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Inaccurate skin tones
  • →Neglecting atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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