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home·artworks·Tellicherry, Kerala
Tellicherry, Kerala by George Lambert

plate no. 5276

Tellicherry, Kerala

George Lambert, 1731

oilRococomarinashipswaterbuildingslandscapeboatssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex shapes like ships and buildings with simplified forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the ships and buildings.

  2. step 02

    Block in the large shapes of the sky, water, and land with thin washes of color.

  3. step 03

    Establish the basic values of the ships, paying attention to light and shadow.

  4. step 04

    Add details to the buildings and landscape, using progressively smaller brushes.

  5. step 05

    Refine the reflections in the water, using horizontal strokes and subtle color variations.

  6. step 06

    Paint the rigging of the ships with fine lines, using a liner brush.

  7. step 07

    Add highlights and details to the ships and buildings to create a sense of depth and realism.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · Prussian blue · burnt sienna · cadmium red light

Achieve the muted greens of the landscape by mixing yellow ochre, Prussian blue, and a touch of raw umber. Create the warm tones of the buildings by mixing burnt sienna, yellow ochre, and a touch of cadmium red light.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the reflections too bright or too sharp.
  • →Failing to establish a clear focal point.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round, flat, liner)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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