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home·artworks·Tatic, Samuel Ruiz
Tatic, Samuel Ruiz by Vlady

plate no. 4295

Tatic, Samuel Ruiz

Vlady

tempera, oilSurrealismreligious paintingfigurereligious figurestafflandscapeportraitclouds
experienced study

Recreating this painting will help students develop skills in layering paint, creating texture with visible brushstrokes, and understanding color relationships in a complex composition. It also encourages exploration of surrealist concepts and symbolic representation.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figure and the background elements.

  2. step 02

    Establish the background with broad strokes, using a mix of warm and cool colors to create depth and atmosphere.

  3. step 03

    Block in the main figure, paying attention to the proportions and the overall form.

  4. step 04

    Begin layering colors on the figure, building up the highlights and shadows to create dimension.

  5. step 05

    Add details to the face and clothing, using smaller brushes to refine the features and textures.

  6. step 06

    Work on the staff, ensuring it is straight and properly aligned.

  7. step 07

    Paint the smaller inset image, paying attention to its unique composition and color palette.

  8. step 08

    Add final touches and details to the entire painting, adjusting colors and values as needed.

color palette

primary · burnt sienna · ultramarine blue · titanium white · cadmium red

secondary · yellow ochre · viridian green · ivory black

Achieve the flesh tones by mixing white, red, and a touch of yellow ochre. Create depth in the background by layering blues and browns. Use viridian green and yellow ochre for the landscape.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Not establishing a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt sienna, ultramarine blue, titanium white, cadmium red, yellow ochre, viridian green, ivory black)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth of colors.

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oil painting for beginners →how to learn by studying the masters →
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