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home·artworks·Targets Revisited
Targets Revisited by Samuel Bak

plate no. 9878

Targets Revisited

Samuel Bak, 1996

oilSurrealismlandscapelandscaperuinsfiguresskyarchitecturemountains
experienced study

Recreating this painting will help students develop skills in complex composition, layering, and creating a sense of depth through atmospheric perspective and color variation. It also encourages experimentation with texture and expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and perspective lines of the ruins and landscape.

  2. step 02

    Establish the horizon line and the basic shapes of the mountains and sky.

  3. step 03

    Block in the main color areas for the sky, distant landscape, and foreground ruins using thin washes.

  4. step 04

    Start layering in details, focusing on the architecture and the figures within the ruins.

  5. step 05

    Develop the textures of the stone and debris using thicker paint and varied brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension, paying attention to the direction of light.

  7. step 07

    Refine the details of the figures and the surrounding objects, adding subtle color variations.

  8. step 08

    Apply final glazes to unify the painting and enhance the atmospheric perspective.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · payne's gray

Achieve the muted tones by mixing complementary colors and using white to create subtle variations. Use thin washes of color for the distant landscape and thicker paint for the foreground details.

techniques

  • ·layering
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Ignoring the overall composition and value structure
  • →Using colors that are too bright or saturated
  • →Failing to create a sense of depth and atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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