
plate no. 1215
Juan Gris, 1925
Recreating this painting helps students understand the principles of cubism, including geometric abstraction and multiple perspectives. Students will also practice color mixing to achieve the muted tones and subtle variations in the painting.
technical profile
approach — 8 steps
Lightly sketch the basic geometric shapes and composition of the objects and landscape.
Block in the large areas of color, focusing on the overall value structure.
Refine the shapes and edges of the objects, paying attention to the cubist fragmentation.
Mix and apply the subtle color variations within each shape to create depth and form.
Add details such as the guitar strings, fruit, and brushstrokes on the palette.
Define the shadows and highlights to enhance the three-dimensionality of the objects.
Adjust the overall color balance and contrast to match the original painting.
Add the artist's signature.
color palette
primary · red ochre · raw umber · titanium white · yellow ochre
secondary · ultramarine blue · viridian · cadmium red light · ivory black
Achieve the muted tones by mixing primary colors with white and small amounts of complementary colors. Use raw umber and red ochre to create the warm browns and reds of the table and guitar.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Consider using a limited palette of oil paints to simplify the color mixing process.
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