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home·artworks·Susannah Walker (1760–1831)
Susannah Walker (1760–1831) by John Russell

plate no. 1040

Susannah Walker (1760–1831)

John Russell, 1784

oilRococoportraitportraitwomandressurnlandscapetree
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating depth through atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the urn.

  2. step 02

    Block in the main colors of the background, using darker tones for the trees and lighter tones for the sky.

  3. step 03

    Establish the basic shapes and values of the figure, paying attention to the proportions and pose.

  4. step 04

    Begin to refine the details of the face, focusing on capturing the likeness of the subject.

  5. step 05

    Add the details of the dress, paying attention to the folds and drapery.

  6. step 06

    Paint the urn, paying attention to the details of the carvings and the texture of the stone.

  7. step 07

    Refine the details of the background, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and highlights to the entire painting.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium yellow · ivory black · alizarin crimson

Mix various shades of white with small amounts of blue, umber, and yellow to create the subtle tones of the dress and skin. Use a combination of blue and white for the drapery, and mix umber and ochre for the urn.

techniques

  • ·portrait painting
  • ·fabric rendering
  • ·atmospheric perspective
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy colors
  • →Lack of attention to detail in the face
  • →Flat or lifeless rendering of the fabric
  • →Ignoring the subtle variations in tone and color

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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