apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Surrealist Landscape
Surrealist Landscape by Tamara de Lempicka

plate no. 6073

Surrealist Landscape

Tamara de Lempicka

oilSurrealismlandscapelandscapemountainswaterreflectionabstractarchitecture
some experience helpful

Recreating this painting will help students develop skills in blending colors to create smooth gradients and understanding how light and shadow define form in an abstract landscape. It also encourages experimentation with simplified shapes and reflections.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and the horizon line, paying attention to the overall composition.

  2. step 02

    Block in the sky with a dark, muted color, blending it smoothly.

  3. step 03

    Establish the base color for the mountains, a mix of browns and creams.

  4. step 04

    Begin adding shadows and highlights to the mountains, using a range of browns and creams to create depth and form.

  5. step 05

    Paint the water surface with a base color similar to the sky, but slightly lighter.

  6. step 06

    Add reflections of the mountains in the water, using vertical strokes and slightly blurred edges.

  7. step 07

    Refine the details of the mountains and water, adding subtle variations in color and texture.

  8. step 08

    Add final highlights to emphasize the light source and create a sense of atmosphere.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · ivory black · yellow ochre

Achieve the various shades of brown by mixing burnt umber with titanium white and small amounts of raw sienna or yellow ochre. Use ivory black sparingly to darken the colors for shadows.

techniques

  • ·blending
  • ·value studies
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the abstract quality of the painting.
  • →Creating harsh lines instead of smooth transitions between values.
  • →Using too much black, which can make the colors look muddy.
  • →Not paying attention to the reflections in the water, which can flatten the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a canvas with a smooth surface to facilitate blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte