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home·artworks·Supermarket
Supermarket by Tetsuya Ishida

plate no. 5030

Supermarket

Tetsuya Ishida, 1997

oilSurrealismsymbolic paintingfiguresupermarketconveyor beltboxesshelvescash register
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, depicting complex machinery, and creating a surreal atmosphere through detailed observation and precise brushwork. It will also improve perspective and spatial relationships.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed pencil sketch, paying close attention to perspective and proportions of the figure and machinery.

  2. step 02

    Establish the background shelves filled with boxes, focusing on accurate shapes and sizes.

  3. step 03

    Block in the main color masses for the figure, conveyor belts, and cash register using thin washes.

  4. step 04

    Start building up layers of color on the figure, focusing on subtle value changes to create realistic skin tones.

  5. step 05

    Add details to the conveyor belts and machinery, paying attention to highlights and shadows to create a sense of depth.

  6. step 06

    Paint the boxes on the shelves and conveyor belts, carefully rendering their labels and details.

  7. step 07

    Refine the lighting and shadows throughout the painting to enhance the surreal atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre · burnt sienna

secondary · cadmium red · ultramarine blue · ivory black

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use yellow ochre and cadmium red for skin tones, and ultramarine blue to cool down the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·color mixing

common pitfalls

  • →Inaccurate proportions in the figure or machinery.
  • →Overly saturated colors that detract from the muted atmosphere.
  • →Lack of attention to detail in the boxes and labels.
  • →Inconsistent lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (raw umber, titanium white, yellow ochre, burnt sienna, cadmium red, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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