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home·artworks·Summertime
Summertime by Robert Spencer

plate no. 7181

Summertime

Robert Spencer, 1920

oilImpressionismcityscapebuildingsfigureswatertreeslaundrycityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the effects of light on different surfaces. It's also good practice for depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, figures, and landscape, paying attention to proportions and perspective.

  2. step 02

    Establish the main light source and areas of shadow with a thin wash of a neutral color like burnt umber.

  3. step 03

    Block in the large areas of color for the buildings, water, and foliage, using a limited palette of earth tones and muted greens.

  4. step 04

    Begin layering colors to create depth and texture in the buildings, focusing on the variations in tone and hue.

  5. step 05

    Add details to the figures, paying attention to their poses and clothing.

  6. step 06

    Develop the foreground with loose, expressive brushstrokes, capturing the texture of the vegetation and water.

  7. step 07

    Refine the details and adjust the values to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · yellow ochre · titanium white · cerulean blue

secondary · burnt sienna · sap green · cadmium yellow light

Mix muted greens by combining yellow ochre, cerulean blue, and a touch of burnt sienna. Achieve the weathered look of the buildings by layering various earth tones and grays.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating colors that are too saturated and not harmonious with the overall palette.
  • →Failing to establish a strong sense of light and shadow.
  • →Making the figures too stiff or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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