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Summer houses by Paul Klee

plate no. 3141

Summer houses

Paul Klee, 1919

watercolor, paperCubismcityscapehousestreesskyarchitecturegeometric shapescityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating texture with dry brush techniques, and simplifying complex forms into geometric shapes. It also encourages experimentation with color mixing and abstract representation.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the houses and trees, focusing on their geometric forms.

  2. step 02

    Apply a thin wash of diluted brown or ochre to the entire paper as a base layer.

  3. step 03

    Begin layering in the sky with diluted blues and whites, allowing the underlayer to show through.

  4. step 04

    Add the darker brown/black tones for the structural elements of the houses, using a dry brush technique for texture.

  5. step 05

    Introduce green and yellow washes for the foliage and ground, varying the intensity of the colors.

  6. step 06

    Use white paint or a white colored pencil to create the geometric patterns and details on the houses and trees.

  7. step 07

    Add final details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Outline with a dark brown to create a frame

color palette

primary · ochre · burnt umber · white · blue

secondary · green · yellow · red

Mix various shades of brown by combining burnt umber with ochre and white. Achieve the sky blue by diluting blue with plenty of water and mixing with white. Greens can be created by mixing blue and yellow with a touch of brown to mute the color.

techniques

  • ·dry brush
  • ·layering washes
  • ·geometric abstraction
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors that are too saturated and bright.
  • →Not allowing the layers to dry properly, resulting in muddy colors.
  • →Making the geometric shapes too precise and rigid.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·white colored pencil
  • ·masking fluid
  • ·palette knife

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying textures.

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related guides

watercolor techniques →how to learn by studying the masters →
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