apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Summer Evening (Caernarvon Castle)
Summer Evening (Caernarvon Castle) by Richard Wilson

plate no. 4946

Summer Evening (Caernarvon Castle)

Richard Wilson, 1765

oilRococolandscapecastlelakelandscapetreesskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle tonal variations in landscapes. It also provides practice in rendering reflections in water and suggesting detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the castle, hill, and tree.

  2. step 02

    Establish the sky with a light, blended wash of color, creating a soft gradient.

  3. step 03

    Block in the large shapes of the castle and hill with their base colors.

  4. step 04

    Paint the water, capturing the horizontal strokes and subtle color variations.

  5. step 05

    Add the reflections of the castle and hill in the water, keeping them soft and slightly blurred.

  6. step 06

    Develop the details of the castle, hill, and tree, using smaller brushes.

  7. step 07

    Add the figures and boats to the water, paying attention to their scale and placement.

  8. step 08

    Refine the overall painting, adjusting values and adding final details.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · Prussian blue · burnt sienna

Achieve the subtle atmospheric effects by mixing white with small amounts of the other colors. Use thin washes of color to build up the layers and create depth.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·reflected light
  • ·tonal blending

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Making the reflections too sharp and defined.
  • →Failing to capture the subtle tonal variations in the sky and water.
  • →Using colors that are too saturated, which can detract from the atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting varnish

Use a medium-grain canvas to allow for both smooth blending and textural brushwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West