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home·artworks·Summer day with chickens in the backyard of a farm
Summer day with chickens in the backyard of a farm by Peder Mørk Mønsted

plate no. 5267

Summer day with chickens in the backyard of a farm

Peder Mørk Mønsted

oil, canvasAcademicismlandscapefarmhousechickenstreesgrassfoliagegarden
some experience helpful

Recreating this painting will help students develop skills in color mixing for natural light and shadow, as well as layering techniques to create depth and texture in foliage and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the farmhouse, trees, and foreground elements.

  2. step 02

    Establish the horizon line and general composition.

  3. step 03

    Apply a thin underpainting using burnt umber or a similar earth tone to block in the main values.

  4. step 04

    Begin layering in the local colors of the sky, foliage, and farmhouse, starting with the background.

  5. step 05

    Develop the details of the farmhouse, including the roof, windows, and textures of the walls.

  6. step 06

    Add the chickens and other foreground details, paying attention to their form and lighting.

  7. step 07

    Refine the painting with highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final details like small plants and textures to complete the scene.

color palette

primary · yellow ochre · sap green · titanium white · burnt umber

secondary · cerulean blue · cadmium red · raw sienna · ivory black

Mix various shades of green by combining sap green with yellow ochre and a touch of blue or brown. Create the farmhouse color by mixing yellow ochre with white and a small amount of burnt umber. Use red and brown to create the chicken colors.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, sap green, titanium white, burnt umber, cerulean blue, cadmium red, raw sienna, ivory black)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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