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home·artworks·Study of a Girl in a Japanese Dress
Study of a Girl in a Japanese Dress by William Merritt Chase

plate no. 3584

Study of a Girl in a Japanese Dress

William Merritt Chase

oilImpressionismsketch and studyportraitfiguredresskimonowomanfloral
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabric, and capturing light and shadow with expressive brushstrokes. It is also a good exercise in simplifying details and focusing on the overall impression.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and dress.

  2. step 02

    Establish the background color with broad strokes.

  3. step 03

    Block in the main areas of color for the skin, dress, and hair.

  4. step 04

    Refine the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Add details to the dress, such as the floral patterns, using a smaller brush.

  6. step 06

    Develop the shadows and highlights to create depth and dimension.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · cadmium red · titanium white · burnt umber

secondary · yellow ochre · raw sienna · ivory black

Mix skin tones by combining white, red, umber, and a touch of yellow ochre. Achieve the red of the dress by mixing cadmium red with varying amounts of umber and white to create different shades and tints.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·blending
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the skin tones too flat or muddy.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of light and shadow in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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