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home·artworks·Study for Totem Landscape of My Childhood
Study for Totem Landscape of My Childhood by Wolfgang Paalen

plate no. 9232

Study for Totem Landscape of My Childhood

Wolfgang Paalen, 1937

oilSurrealismlandscapelandscapemoonabstract figureskybuildingsurreal
some experience helpful

This painting provides an opportunity to practice blending techniques to create smooth gradients and to explore creating depth through atmospheric perspective. Students can also learn about surrealist art and how to create dreamlike imagery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the abstract figure, the moon, and the distant building.

  2. step 02

    Block in the large areas of color for the sky, ground, and figure using diluted paint.

  3. step 03

    Begin blending the colors in the sky to create a smooth gradient from darker at the top to lighter near the horizon.

  4. step 04

    Add details to the ground, focusing on creating depth through variations in color and value.

  5. step 05

    Paint the moon, starting with a dark base and gradually adding highlights to create a glowing effect.

  6. step 06

    Refine the abstract figure, paying attention to the shapes and lines that define its form.

  7. step 07

    Add details to the distant building, keeping it soft and blurred to create a sense of distance.

  8. step 08

    Add final highlights and shadows to enhance the overall composition.

color palette

primary · Prussian blue · Titanium white · Yellow Ochre

secondary · Burnt Umber · Cadmium Yellow · Ultramarine Blue

Mix Prussian blue and titanium white for the sky. Use yellow ochre and white for the moon. Add burnt umber to blue for darker shadows in the landscape.

techniques

  • ·Blending
  • ·Glazing
  • ·Atmospheric perspective
  • ·Scumbling
  • ·Dry brushing

common pitfalls

  • →Overworking the blending, resulting in muddy colors.
  • →Failing to create enough contrast in the moon, making it appear flat.
  • →Making the distant building too detailed, which will flatten the perspective.
  • →Not diluting the paint enough in the initial layers, leading to thick, uneven textures.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Prussian blue, Titanium white, Yellow Ochre, Burnt Umber)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Painting medium (e.g., Liquin)

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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