
plate no. 1164
John Jackson, 1810
This painting offers practice in portraiture, specifically capturing likeness and rendering realistic skin tones. Students will also learn to create depth using value and subtle color variations.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair.
Establish the dark background and the general shape of the red chair.
Block in the main areas of the face with a mid-tone.
Start building up the shadows and highlights on the face, paying attention to the light source.
Add details to the hair, clothing, and chair, refining the shapes and values.
Refine the facial features, focusing on capturing the likeness.
Add final highlights and details to create a sense of realism.
Glaze to unify the painting and adjust the values as needed.
color palette
primary · ivory black · titanium white · cadmium red
secondary · yellow ochre · burnt umber
Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve darker tones by adding black or burnt umber to the base colors. The red chair is a mix of cadmium red and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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