apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study at Orange County, New York
Study at Orange County, New York by David Johnson

plate no. 8645

Study at Orange County, New York

David Johnson

oilRomanticismlandscapetreeslandscapeskywaterfoliageclouds
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering realistic foliage with varied brushstrokes. It's a good exercise in observing subtle color shifts in nature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky with light blues and grays, blending softly to create clouds.

  3. step 03

    Establish the dark masses of the trees with dark greens and browns, paying attention to the overall shapes.

  4. step 04

    Begin layering lighter greens and yellows onto the foliage to create highlights and variations.

  5. step 05

    Paint the water, reflecting the colors of the sky and surrounding vegetation.

  6. step 06

    Add details to the foreground, such as grasses, small plants, and reflections in the water.

  7. step 07

    Refine the details in the trees, adding individual branches and leaves with smaller brushes.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · viridian green · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · raw sienna · cadmium yellow light

Mix greens by combining blues and yellows, adjusting the ratios to achieve different shades. Use white to lighten colors and create highlights. Browns can be created by mixing complementary colors.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →overworking the details
  • →using too much pure color without mixing
  • →flattening the perspective
  • →ignoring the subtle color variations in the foliage

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke