apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study At a Reading Desk
Study At a Reading Desk by Frederic Leighton

plate no. 9883

Study At a Reading Desk

Frederic Leighton, 1877

oil, canvasAcademicismgenre paintingfigureinteriorreading deskcarpetornamentsdress
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding subtle color variations and light direction.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, reading desk, and carpet.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the background with dark, muted tones.

  4. step 04

    Begin painting the figure's skin tones, using thin layers of color and blending carefully.

  5. step 05

    Paint the dress, paying attention to the folds and highlights.

  6. step 06

    Render the reading desk, focusing on the details and ornamentation.

  7. step 07

    Paint the carpet, simplifying the intricate patterns and focusing on the overall color scheme.

  8. step 08

    Add final details and refine the painting, paying attention to edges and transitions.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red light

secondary · ivory black · raw sienna · ultramarine blue

Mix skin tones by blending yellow ochre, cadmium red light, and titanium white, adding small amounts of burnt umber for shadows. Create the dress color by mixing yellow ochre and a touch of red, and use burnt umber and ivory black for the dark background and carpet details.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering drapery

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Getting lost in the details of the carpet and losing the overall composition.
  • →Failing to establish a clear light source and creating flat, lifeless shadows.
  • →Inaccurate proportions of the figure and reading desk.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, cadmium red light, ivory black, raw sienna, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus