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Studio in Paris by Nikos Hadjikyriakos-Ghikas

plate no. 1443

Studio in Paris

Nikos Hadjikyriakos-Ghikas, 1965

oilCubisminteriorinteriorstill lifeflowersbooksvaseswindow
experienced study

Recreating this painting will help students understand cubist principles of representing multiple perspectives and develop skills in layering colors to create depth and texture. It also provides practice in simplifying complex forms into geometric shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of major objects.

  2. step 02

    Establish the background with broad, muted washes of color.

  3. step 03

    Block in the main color areas of each object, simplifying forms into geometric shapes.

  4. step 04

    Begin layering colors to build depth and create variations in tone.

  5. step 05

    Add details to the flowers, books, and vases, using short, broken brushstrokes.

  6. step 06

    Define the edges of objects with darker tones to create contrast and separation.

  7. step 07

    Introduce highlights to suggest light and form.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to achieve a cohesive and balanced image.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · sap green

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color to build up layers and create depth.

techniques

  • ·broken color
  • ·layering
  • ·geometric abstraction
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details
  • →losing the overall composition
  • →using colors that are too saturated
  • →not simplifying forms enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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