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home·artworks·Street with church
Street with church by Arthur Segal

plate no. 5587

Street with church

Arthur Segal, 1924

oilCubismcityscapestreetbuildingschurchskyarchitecturewheelbarrow
some experience helpful

Recreating this painting will help students develop skills in applying thick paint with visible brushstrokes and understanding how to simplify complex scenes into geometric forms. It also encourages experimentation with color mixing to achieve a range of earthy tones.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the street scene, focusing on the buildings and the church in the background.

  2. step 02

    Divide the composition into larger blocks of color, simplifying the details of the buildings and the sky.

  3. step 03

    Begin applying thick layers of paint, using visible brushstrokes to create texture and dimension.

  4. step 04

    Mix a range of earthy tones using browns, yellows, and blacks, and apply them to the buildings and street.

  5. step 05

    Use blues and whites to create the sky, blending the colors slightly to suggest clouds.

  6. step 06

    Add details such as windows, doors, and the church spire, using smaller brushstrokes and darker colors.

  7. step 07

    Introduce a few contrasting colors, such as the red on the window shutter, to add visual interest.

  8. step 08

    Refine the composition by adjusting the values and colors, and adding final touches to the brushwork.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Mix browns by combining burnt umber and black. Achieve lighter tones by adding white. Use small amounts of red and blue to create subtle color variations in the buildings and sky.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·geometric abstraction

common pitfalls

  • →Overworking the details and losing the simplified geometric forms.
  • →Creating muddy colors by overmixing the paints.
  • →Failing to establish a strong sense of perspective.
  • →Ignoring the importance of texture and visible brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#4, #8)
  • ·flat brushes (#6, #10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a canvas with a medium to coarse texture to enhance the impasto effect. Consider using a palette knife for applying thicker layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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