apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Street in Røros in Winter
Street in Røros in Winter by Harald Sohlberg

plate no. 9331

Street in Røros in Winter

Harald Sohlberg

oilNeo-Romanticismcityscapebuildingssnowskychurchwintercityscape
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and understanding how light interacts with snow to create form and texture. It also provides practice in rendering architectural details and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the church, paying attention to perspective.

  2. step 02

    Block in the sky with a mix of grays and blues, creating a sense of depth and atmosphere.

  3. step 03

    Establish the main color blocks for the buildings, using a limited palette of yellows, reds, and browns.

  4. step 04

    Begin adding details to the buildings, such as windows, doors, and architectural features.

  5. step 05

    Apply thick layers of white paint to represent the snow, varying the texture and value to create form.

  6. step 06

    Add shadows and highlights to the snow to create depth and dimension.

  7. step 07

    Refine the details of the church, including the clock tower and spire.

  8. step 08

    Add final touches and adjustments to the painting, ensuring a cohesive and balanced composition.

color palette

primary · titanium white · raw umber · cadmium yellow · cadmium red

secondary · ultramarine blue · burnt sienna

Mix white with small amounts of blue and umber for cool snow shadows. Use yellow and red to create the warm tones of the buildings, and add umber to darken them.

techniques

  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the snow, resulting in a flat and lifeless appearance.
  • →Neglecting the subtle color variations in the sky and buildings.
  • →Ignoring the importance of perspective in creating a sense of depth.
  • →Failing to create a strong focal point in the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium yellow oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dancer and the Canary

The Dancer and the Canary

Ethel Léontine Gabain

Lilac and Tulips

Lilac and Tulips

Ethel Léontine Gabain

Women Welders at Williams & Williams, Chester

Women Welders at Williams & Williams, Chester

Ethel Léontine Gabain

Landscape. Cookham Dene.

Landscape. Cookham Dene.

Stanley Spencer

HMS 'Revenge' Leaving Harbour

HMS 'Revenge' Leaving Harbour

Richard Eurich

The Resurrection - Waking Up 2

The Resurrection - Waking Up 2

Stanley Spencer

Landscape with Magnolia

Landscape with Magnolia

Stanley Spencer

Solskin

Solskin

Harald Sohlberg