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Street by Henryk Streng

plate no. 4046

Street

Henryk Streng, 1924

oilCubismgenre paintingcityscapefiguresbuildingsstreetvehiclescollage
experienced study

Recreating this painting will help students develop skills in layering, creating transparent effects, and understanding how to represent complex scenes with simplified forms. It also encourages experimentation with mixed media and collage techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of major elements like buildings, figures, and vehicles.

  2. step 02

    Establish the background washes using diluted colors, allowing them to blend and create a sense of depth.

  3. step 03

    Start adding the larger shapes of buildings and figures, using flat washes of color and defining edges with darker tones.

  4. step 04

    Layer in details such as windows, signs, and clothing, paying attention to the overlapping and transparent effects.

  5. step 05

    Incorporate collage elements like paper cutouts for letters and shapes, adhering them carefully to the surface.

  6. step 06

    Refine the linework and add subtle details with a fine brush or pen, emphasizing the geometric forms and outlines.

  7. step 07

    Add final touches of color and shading to enhance the overall depth and visual interest.

  8. step 08

    Consider adding splatters or drips for a more textured and expressive finish.

color palette

primary · raw umber · burnt sienna · payne's gray

secondary · cadmium red · yellow ochre · sap green

Achieve the muted tones by mixing primary colors with raw umber or payne's gray. Use diluted washes for transparent effects.

techniques

  • ·layering washes
  • ·dry brushing
  • ·collage
  • ·geometric abstraction
  • ·transparent effects

common pitfalls

  • →Overworking the details and losing the sense of spontaneity.
  • →Creating muddy colors by overmixing.
  • →Failing to plan the composition effectively, resulting in a cluttered or unbalanced image.
  • →Not allowing washes to dry completely before layering, leading to bleeding and unwanted textures.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes
  • ·scissors
  • ·glue stick
  • ·ruler
  • ·pencil

optional

  • ·palette knife
  • ·masking fluid
  • ·colored pencils
  • ·ink pens

Use a heavy-weight watercolor paper to prevent buckling when applying washes. Experiment with different types of paper for varied textures.

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