apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Stonington Maine
Stonington Maine by John Marin

plate no. 0732

Stonington Maine

John Marin, 1923

watercolor, charcoal, paperCubismcityscapecityscapebuildingswaterskyhousestown
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using watercolor washes to create depth and atmosphere. It also encourages experimentation with expressive line work and color choices.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and landscape with charcoal.

  2. step 02

    Outline the composition with a thin brush and a neutral color like burnt umber.

  3. step 03

    Apply a light wash of blue for the sky, leaving some areas white.

  4. step 04

    Add washes of color to the buildings, varying the hues and intensities.

  5. step 05

    Paint the water with horizontal strokes, using a mix of blues, browns, and yellows.

  6. step 06

    Add details to the buildings and landscape with a fine brush.

  7. step 07

    Reinforce the outlines and add expressive lines to create movement and energy.

  8. step 08

    Add the border around the painting with thin washes of color.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · cadmium red light · viridian

Mix blues and browns for the darker areas of the buildings and water. Use yellow ochre and raw sienna for the lighter areas of the buildings and landscape. Add small amounts of red and green for accents.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·expressive linework
  • ·color layering
  • ·simplification of form

common pitfalls

  • →Overworking the washes, resulting in muddy colors.
  • →Making the lines too uniform and losing the expressive quality.
  • →Failing to simplify the shapes and getting bogged down in details.
  • →Not leaving enough white space to create contrast and light.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 10)
  • ·charcoal pencil
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying line weights and textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger