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home·artworks·Stiller Tag am Meer III
Stiller Tag am Meer III by Lyonel Feininger

plate no. 1811

Stiller Tag am Meer III

Lyonel Feininger, 1929

oilCubismmarinaboatsseaskygeometric shapessails
some experience helpful

Recreating this painting will help students understand color mixing for atmospheric perspective and how to simplify complex scenes into geometric forms. It also provides practice in creating subtle value gradations within defined shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and boat outlines, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color: dark blues for the sky, yellows/oranges for the right side, and browns for the foreground.

  3. step 03

    Begin layering colors within each shape, creating subtle gradations and variations. Use a dry brush technique to add texture.

  4. step 04

    Mix and apply the colors for the sails, paying attention to the subtle shifts in value and hue.

  5. step 05

    Add the reflections in the water, using slightly darker and more saturated versions of the colors above.

  6. step 06

    Refine the edges of the shapes, softening some and sharpening others to create depth.

  7. step 07

    Add small details, such as the masts and rigging of the boats.

  8. step 08

    Step back and assess the overall balance and harmony of the painting. Make any necessary adjustments.

color palette

primary · Prussian blue · Yellow ochre · Cadmium red

secondary · Titanium white · Burnt umber · Ultramarine blue

Achieve the atmospheric blues by mixing Prussian blue with white and a touch of ultramarine. Create the yellows and oranges by mixing yellow ochre with cadmium red and white. Use burnt umber to darken and neutralize colors.

techniques

  • ·Dry brush
  • ·Layering
  • ·Color mixing
  • ·Geometric abstraction
  • ·Atmospheric perspective

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the geometric shapes too rigid and uniform.
  • →Ignoring the subtle value shifts within each shape.
  • →Not creating enough contrast between the light and dark areas.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or acrylic medium
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish

Use a canvas with a medium texture to enhance the dry brush effect. Oil paints will allow for more blending time, but acrylics are also suitable.

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oil painting for beginners →how to learn by studying the masters →
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