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home·artworks·Still Life with Pestle, Bowl, Copper Cauldron, Onions and a Knife
Still Life with Pestle, Bowl, Copper Cauldron, Onions and a Knife by Jean-Baptiste-Simeon Chardin

plate no. 0819

Still Life with Pestle, Bowl, Copper Cauldron, Onions and a Knife

Jean-Baptiste-Simeon Chardin, 1735

oilRococostill lifestill lifecauldrononionsbowlknifepestle
some experience helpful

Recreating this painting will help students develop skills in rendering form through subtle value changes and creating realistic textures with layering and glazing techniques. It also provides practice in observing and accurately depicting the effects of light on different surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition onto the canvas.

  2. step 02

    Establish the background tone with a thin wash of color.

  3. step 03

    Block in the main shapes of the objects with their local colors.

  4. step 04

    Begin layering values to define the forms and create depth.

  5. step 05

    Pay close attention to the highlights and shadows on each object.

  6. step 06

    Refine the details and textures, using small brushstrokes.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the luminosity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium yellow light

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with small amounts of yellow ochre and white. Use ivory black sparingly to create shadows and dark accents. Glazes can be created by thinning the paint with a medium.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to accurately observe and depict the subtle value changes.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the importance of edges and transitions between forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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