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home·artworks·Still Life with Coffee Pot and Melon
Still Life with Coffee Pot and Melon by Roger de La Fresnaye

plate no. 5927

Still Life with Coffee Pot and Melon

Roger de La Fresnaye, 1911

oil, canvasCubismstill lifestill lifecoffee potmelontablebowlsgeometric forms
some experience helpful

Recreating this painting will help students understand how to simplify forms into geometric shapes and use a limited palette to create a cohesive composition. It also provides practice in observing and representing light and shadow in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the coffee pot, melon, and bowls.

  2. step 02

    Block in the large areas of color, starting with the background and then the table.

  3. step 03

    Define the shapes of the objects with darker values, paying attention to the geometric forms.

  4. step 04

    Add highlights to the coffee pot and bowls to create a sense of depth and form.

  5. step 05

    Mix and apply the yellow for the melon, using darker shades to define the segments.

  6. step 06

    Refine the edges and details, using short, visible brushstrokes.

  7. step 07

    Add the white outlines to the coffee pot handle and other areas for emphasis.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · raw sienna · ivory black

Achieve the various browns by mixing burnt umber with white and small amounts of yellow ochre. Use black sparingly to darken values. The melon color is a mix of yellow ochre and a touch of burnt umber for shading.

techniques

  • ·blocking in
  • ·geometric simplification
  • ·visible brushstrokes
  • ·value shading
  • ·limited palette

common pitfalls

  • →Overcomplicating the shapes.
  • →Using too many colors.
  • →Making the brushstrokes too smooth.
  • →Ignoring the value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20)
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a canvas with a medium texture to enhance the visibility of the brushstrokes. Consider using a limited palette of oil paints for a cohesive look.

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oil painting for beginners →how to learn by studying the masters →
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