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home·artworks·Still Life with Acropolis in the Background
Still Life with Acropolis in the Background by Konstantinos Parthenis

plate no. 1136

Still Life with Acropolis in the Background

Konstantinos Parthenis, 1931

oil, canvasCubismstill lifestill lifewine glassesfruitbottlearchitecturebuilding
some experience helpful

Recreating this painting will help students understand layering techniques and how to create a sense of depth with a limited palette. It also encourages simplification of forms and exploration of geometric shapes within a representational context.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the still life objects (glasses, fruit bowl, bottle) and the architectural background.

  2. step 02

    Establish the horizon line and the main lines of the Acropolis in the background.

  3. step 03

    Block in the large areas of color: the background sky, the table, and the general tone of the objects.

  4. step 04

    Begin layering the darker tones to define the shadows and create depth within the objects.

  5. step 05

    Add subtle highlights to the glasses and fruit to suggest form and light reflection.

  6. step 06

    Refine the details of the Acropolis, focusing on the geometric shapes and the play of light and shadow.

  7. step 07

    Blend the edges of the shapes to create a soft, diffused effect.

  8. step 08

    Add final touches and adjust values as needed to achieve a cohesive composition.

color palette

primary · raw umber · ultramarine blue · titanium white

secondary · payne's grey · yellow ochre

Mix the raw umber and white to create the base tone for the still life objects and the table. Use ultramarine blue and white for the sky, and mix in a touch of raw umber to create a muted blue. Payne's grey can be used for subtle shadows and to darken the blues.

techniques

  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling
  • ·geometric simplification

common pitfalls

  • →Overworking the details and losing the simplicity of the composition.
  • →Using too much color and straying from the limited palette.
  • →Creating harsh lines instead of soft, blended edges.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·payne's grey oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas with a light raw umber wash can be helpful to establish the overall tone of the painting.

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oil painting for beginners →how to learn by studying the masters →
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