apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with a Ham
Still Life with a Ham by Anne Vallayer-Coster

plate no. 3471

Still Life with a Ham

Anne Vallayer-Coster, 1767

oilRococostill lifehamknifebottleradishesleavestablecloth
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures and creating depth through subtle value changes. It also provides practice in painting reflective surfaces and organic forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the background with a thin wash of muted colors.

  3. step 03

    Block in the main colors of the ham, bottles, and radishes, focusing on the overall value structure.

  4. step 04

    Begin refining the shapes and adding details to the ham, including highlights and shadows.

  5. step 05

    Paint the bottles, paying attention to the reflections and transparency.

  6. step 06

    Add details to the radishes and leaves, capturing their textures and colors.

  7. step 07

    Refine the tablecloth, adding folds and shadows.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · sap green · ivory black · yellow ochre

Achieve the ham's color by mixing cadmium red light with raw umber and titanium white. Use ivory black and raw umber for the dark bottles. Mix sap green with yellow ochre for the leaves.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle reflections and highlights.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (raw umber, titanium white, cadmium red light, sap green, ivory black, yellow ochre)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer underpainting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West