apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life, Tin of Tea and Pot of Tobacco
Still Life, Tin of Tea and Pot of Tobacco by Roger de La Fresnaye

plate no. 7422

Still Life, Tin of Tea and Pot of Tobacco

Roger de La Fresnaye, 1913

oilCubismstill lifestill lifecubismtabletea tintobacco potgeometric shapes
some experience helpful

Recreating this painting will help students understand the simplification of forms and the use of value to create depth in a limited color palette. It also introduces the basic concepts of cubist abstraction.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and their placement on the canvas, focusing on the overall composition.

  2. step 02

    Define the outlines of the objects, paying attention to the overlapping and intersecting forms.

  3. step 03

    Block in the darkest areas with the darkest shade of blue/black.

  4. step 04

    Add mid-tones to create volume and depth, blending edges slightly.

  5. step 05

    Use lighter shades of blue to define the lighter areas and highlights.

  6. step 06

    Refine the details and edges, adding subtle variations in tone.

  7. step 07

    Check the overall balance and adjust values as needed.

  8. step 08

    Add the signature in the bottom right corner.

color palette

primary · Prussian Blue · Payne's Grey

secondary · Titanium White

Mix Prussian Blue with Payne's Grey to achieve the darker tones. Add small amounts of Titanium White to create lighter shades of blue for highlights and mid-tones.

techniques

  • ·Value shading
  • ·Simplified forms
  • ·Geometric abstraction
  • ·Limited palette
  • ·Blending

common pitfalls

  • →Overcomplicating the shapes
  • →Using too many colors
  • →Ignoring the value structure
  • →Creating muddy colors
  • →Not establishing a clear focal point

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Prussian Blue oil paint
  • ·Payne's Grey oil paint
  • ·Titanium White oil paint
  • ·Round brush #4
  • ·Flat brush #6
  • ·Palette knife
  • ·Palette

optional

  • ·Medium (linseed oil)
  • ·Odorless mineral spirits
  • ·Rags

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas (light blue) to start with.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger