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home·artworks·Still Life on Table
Still Life on Table by Kmetty János

plate no. 0342

Still Life on Table

Kmetty János

oilCubismstill lifestill lifefruittablebottlepitcherdrapery
some experience helpful

Recreating this painting will help students develop skills in observing and simplifying forms into geometric shapes, as well as understanding how light and shadow define volume in a cubist style. Students will also learn to mix subtle color variations to create depth and interest.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, paying attention to the angles and proportions.

  2. step 02

    Block in the main color areas for the background, drapery, and tabletop using thin washes.

  3. step 03

    Define the shapes of the objects (fruit, bottle, pitcher) with simplified geometric forms.

  4. step 04

    Add layers of color to build up depth and create subtle variations in tone.

  5. step 05

    Focus on the light and shadow patterns to define the volume of the objects.

  6. step 06

    Refine the edges and details, paying attention to the relationships between the different elements.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · cerulean blue · burnt sienna · titanium white

secondary · raw umber · cadmium red light · yellow ochre

Mix various shades of blue for the background by combining cerulean blue with white and a touch of umber. Achieve the fruit colors by blending red, yellow, and brown. Use white to create highlights and lighten the colors.

techniques

  • ·geometric simplification
  • ·color layering
  • ·value shading
  • ·blending
  • ·observational drawing

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using colors that are too saturated.
  • →Ignoring the light and shadow patterns.
  • →Not paying attention to the proportions of the objects.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (cerulean blue, burnt sienna, titanium white, raw umber, cadmium red light, yellow ochre)
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for best results. Adjust paint colors to match the original painting as closely as possible.

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oil painting for beginners →how to learn by studying the masters →
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