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home·artworks·Still Life of Cooking Utensils, Cauldron, Casserole and Eggs
Still Life of Cooking Utensils, Cauldron, Casserole and Eggs by Jean-Baptiste-Simeon Chardin

plate no. 1595

Still Life of Cooking Utensils, Cauldron, Casserole and Eggs

Jean-Baptiste-Simeon Chardin, 1734

oil, panelRococostill lifestill lifecauldroneggscooking utensilstabletopkitchenware
some experience helpful

Recreating this painting will help students develop skills in rendering metallic surfaces and understanding subtle tonal variations to create form. It also provides practice in arranging a still life composition and capturing accurate proportions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the panel, paying attention to proportions.

  2. step 02

    Establish the background color with a thin wash of warm neutral tones.

  3. step 03

    Block in the main colors of each object, focusing on the overall value and temperature.

  4. step 04

    Begin to build up the form of the cauldron, casserole, and other objects by layering paint and blending edges.

  5. step 05

    Pay close attention to the highlights and shadows on the metallic surfaces to create a sense of depth and realism.

  6. step 06

    Refine the details of the eggs, adding subtle variations in color and texture.

  7. step 07

    Add the cast shadows to ground the objects on the tabletop.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and harmonious composition.

color palette

primary · burnt sienna · raw umber · titanium white · yellow ochre

secondary · ivory black · cadmium red light

Achieve the copper tones by mixing burnt sienna, cadmium red light, and yellow ochre. Use raw umber and ivory black for the darker areas and shadows. Titanium white is used to create highlights and lighter tones.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the objects wrong in the initial sketch.
  • →Overworking the paint and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle tonal variations on the metallic surfaces.
  • →Ignoring the importance of cast shadows in creating a sense of depth.

materials

surface · wood panel

required

  • ·oil paints (burnt sienna, raw umber, titanium white, yellow ochre, ivory black, cadmium red light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·stretched canvas or wood panel
  • ·rags or paper towels

optional

  • ·drying medium
  • ·retouch varnish
  • ·easel

A smooth wood panel is ideal for capturing the subtle details and smooth blending in this painting. Consider using a gessoed panel for best results.

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oil painting for beginners →how to learn by studying the masters →
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