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home·artworks·Still life in the machine elements
Still life in the machine elements by Fernand Leger

plate no. 4165

Still life in the machine elements

Fernand Leger, 1918

oilCubismstill lifestill lifegeometric shapesmachine elementscubismabstractobjects
some experience helpful

Recreating this painting will help students understand geometric abstraction and how to represent three-dimensional forms with simplified shapes and strong value contrasts. It also encourages exploration of color relationships and composition within a cubist style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and their placement on the canvas, focusing on proportion and composition.

  2. step 02

    Block in the main color areas with flat, even tones, starting with the background.

  3. step 03

    Begin adding value to the geometric forms, creating highlights and shadows to suggest volume.

  4. step 04

    Mix and apply secondary colors to add depth and interest to the composition.

  5. step 05

    Define the edges of the shapes with darker outlines to create separation and visual clarity.

  6. step 06

    Add details such as the small circles and patterned areas.

  7. step 07

    Refine the value transitions and color relationships, adjusting as needed to achieve a cohesive look.

  8. step 08

    Add final details and touch-ups to complete the painting.

color palette

primary · white · black · red · yellow

secondary · green · grey · pink · tan

Mix shades of grey by combining black and white in varying proportions. Achieve the pink by mixing white and a touch of red. Create the greens by mixing yellow and blue.

techniques

  • ·flat color application
  • ·geometric abstraction
  • ·value shading
  • ·hard-edge painting
  • ·color blocking

common pitfalls

  • →Overcomplicating the shapes; keep them simple and geometric.
  • →Creating muddy colors; mix colors cleanly and avoid over-blending.
  • →Ignoring value contrasts; ensure there is a clear distinction between light and shadow.
  • →Losing the overall composition; regularly step back to assess the balance and harmony.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (white, black, red, yellow, green)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits (if using oil paints)
  • ·Linseed oil (if using oil paints)

optional

  • ·Ruler
  • ·Tracing paper
  • ·Easel
  • ·Varnish

Use good quality paints for better color saturation and longevity. Pre-primed canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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