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home·artworks·Still LIfe in front of the Window
Still LIfe in front of the Window by Louis Marcoussis

plate no. 8295

Still LIfe in front of the Window

Louis Marcoussis, 1920

oilCubismstill lifestill lifeguitarfruitwindowsunsettable
some experience helpful

Recreating this painting will help students understand how to simplify complex forms into geometric shapes and use color to create depth and atmosphere. It's a good exercise in abstracting reality and exploring cubist principles.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the relationships between objects.

  2. step 02

    Block in the large areas of color, starting with the background (sunset and window).

  3. step 03

    Define the shapes of the guitar and fruit with simplified geometric forms.

  4. step 04

    Add details to the guitar, such as the strings and sound hole.

  5. step 05

    Refine the colors and values, paying attention to the subtle shifts in tone.

  6. step 06

    Add the details of the fruit and the table.

  7. step 07

    Outline key shapes with darker colors to emphasize the cubist style.

  8. step 08

    Review and adjust the painting, ensuring a balance between abstraction and representation.

color palette

primary · ochre · red · green · gray

secondary · blue · black · white · orange

Mix ochre with white for the guitar body, red and white for the sunset, and various shades of green for the fruit. Use black and white to create the grays for the window frame.

techniques

  • ·blocking in
  • ·geometric simplification
  • ·color layering
  • ·dry brushing
  • ·outlining

common pitfalls

  • →Overcomplicating the shapes.
  • →Using too many colors.
  • →Losing the overall composition.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (ochre, red, green, gray, blue, black, white, orange)
  • ·assorted brushes (flat and round)
  • ·palette
  • ·water
  • ·palette knife

optional

  • ·painting medium (retarder)
  • ·easel
  • ·varnish

Use a limited palette to simplify the color mixing process. Consider using a painting medium to slow down the drying time of the acrylics.

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related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

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