apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life. Centrifugal Expansion of Colors.
Still Life. Centrifugal Expansion of Colors. by Gino Severini

plate no. 6750

Still Life. Centrifugal Expansion of Colors.

Gino Severini, 1916

oilCubismstill lifestill lifetableportraitgeometric shapesflowersabstract
some experience helpful

This painting helps students understand color relationships and how to break down complex forms into simpler geometric shapes. It also encourages experimentation with layering and creating depth through color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and lines of the composition, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the foreground elements.

  3. step 03

    Mix and apply the various color variations within each shape, paying attention to subtle shifts in hue and value.

  4. step 04

    Add the details, such as the flower, portrait, and patterns, using smaller brushes.

  5. step 05

    Refine the edges of the shapes and lines to create a sense of depth and dimension.

  6. step 06

    Add the black outlines to define the shapes.

  7. step 07

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

  8. step 08

    Apply a final varnish to protect the painting and enhance the colors (optional).

color palette

primary · yellow · red · blue · green

secondary · purple · gray · white · brown

Achieve the muted tones by mixing complementary colors. Use white to lighten colors and create subtle variations.

techniques

  • ·color blocking
  • ·geometric abstraction
  • ·layering
  • ·color mixing
  • ·outlining

common pitfalls

  • →Overcomplicating the color palette.
  • →Losing the geometric structure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value shifts within each shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·ruler

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger