apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Startled
Startled by Frank Dicksee

plate no. 6556

Startled

Frank Dicksee

oilRomanticismmythological paintingfigureslandscapewatertreesfoliageflowers
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding atmospheric perspective in a landscape setting. Students will also learn to create soft, blended transitions between colors.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figures, landscape, and major elements.

  2. step 02

    Establish the background with thin washes of color, focusing on the atmospheric perspective.

  3. step 03

    Block in the basic skin tones of the figures, paying attention to the light source and shadows.

  4. step 04

    Start layering and blending colors to create smooth transitions and realistic skin texture.

  5. step 05

    Paint the drapery, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the landscape, such as leaves, flowers, and reflections in the water.

  7. step 07

    Refine the figures' features and add subtle details to their hair and clothing.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ultramarine blue · viridian · alizarin crimson · ivory black

Mix skin tones using white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create muted greens for the foliage. Add white to colors for highlights and black for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a clear light source and consistent shadows.
  • →Ignoring the atmospheric perspective and making the background too sharp.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke