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home·artworks·Stag Hunt in the Oise in Sight of Compiegne, near Royallieu
Stag Hunt in the Oise in Sight of Compiegne, near Royallieu by Jean-Baptiste Oudry

plate no. 2315

Stag Hunt in the Oise in Sight of Compiegne, near Royallieu

Jean-Baptiste Oudry, 1737

oil, canvasRococogenre paintinglandscapefigureshorsesdogsriverhunting
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and animals, as well as understanding atmospheric perspective and color harmony in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major elements like the river, hills, and groups of figures.

  2. step 02

    Establish the sky and distant landscape with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, horses, and dogs with simplified forms and basic colors.

  4. step 04

    Develop the details of the figures and animals, adding highlights and shadows to create form.

  5. step 05

    Refine the landscape, adding details to the trees, buildings, and water.

  6. step 06

    Add highlights and details to the figures and animals to create depth and realism.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · Prussian blue · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve the muted greens by mixing Prussian blue, yellow ochre, and a touch of burnt umber. Use white to lighten values and create atmospheric perspective.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·animal anatomy

common pitfalls

  • →overworking details too early
  • →losing the overall composition
  • →incorrect proportions of figures and animals
  • →muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas to allow for layering and blending. Consider using a toned ground (e.g., raw umber) to create a more unified color palette.

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