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home·artworks·St. Paul Bitten by a Viper on the Island of Malta
St. Paul Bitten by a Viper on the Island of Malta by Maarten de Vos

plate no. 7611

St. Paul Bitten by a Viper on the Island of Malta

Maarten de Vos

oilNorthern Renaissancereligious paintingfiguresfirelandscapearchitecturetreesreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing dynamic poses and complex interactions between multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the overall composition and placement of figures.

  2. step 02

    Establish the background landscape and architectural elements with broad, muted tones.

  3. step 03

    Block in the main figures, paying attention to proportions and anatomical accuracy.

  4. step 04

    Develop the drapery, using light and shadow to create form and volume.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Render the fire, using warm colors and dynamic brushstrokes to convey its intensity.

  7. step 07

    Refine the overall composition, adjusting values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final details, such as highlights and textures, to enhance the realism of the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white. Use burnt umber and ultramarine blue for shadows. Create atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless drapery
  • →Lack of depth in the background
  • →Overworking details too early
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, ivory black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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