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home·artworks·St Martin in the Fields
St Martin in the Fields by William Logsdail

plate no. 5523

St Martin in the Fields

William Logsdail, 1888

oilImpressionismgenre paintingstreet scenefiguresarchitecturehorse-drawn carriageflowerscityscape
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections, and capturing the nuances of light and shadow in a complex urban environment. It also provides practice in depicting figures and architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and perspective lines of the building and figures.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure and atmospheric perspective.

  3. step 03

    Develop the background elements, gradually adding details and refining the shapes of the buildings and figures.

  4. step 04

    Work on the reflections in the wet street, using horizontal brushstrokes and subtle color variations.

  5. step 05

    Focus on the central figures, paying attention to their proportions, gestures, and clothing.

  6. step 06

    Add details to the flowers and other small elements, using small, precise brushstrokes.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism and drama.

color palette

primary · gray · ochre · brown · white

secondary · red · yellow · green · blue

Achieve the muted tones by mixing complementary colors with white. Use thin glazes to create depth and luminosity.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·broken color

common pitfalls

  • →getting lost in details too early
  • →overworking the painting
  • →inaccurate perspective
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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