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home·artworks·St. Jerome in the Desert
St. Jerome in the Desert by Joachim Patinir

plate no. 7188

St. Jerome in the Desert

Joachim Patinir, 1520

oil, woodNorthern Renaissancereligious paintinglandscapefiguremountainsskyarchitecturedesert
experienced study

Recreating this painting will help students develop skills in layering, atmospheric perspective, and rendering complex textures like rock and foliage. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the mountains, figure, hut, and distant landscape.

  2. step 02

    Establish the sky and distant landscape using thin washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the large masses of the mountains and foreground, paying attention to the overall value structure.

  4. step 04

    Start defining the details of the hut and figure, using smaller brushes and more opaque paint.

  5. step 05

    Add highlights and shadows to create depth and form in the rocks and foliage.

  6. step 06

    Refine the details of the figure's clothing and features.

  7. step 07

    Add the small details in the distant landscape, like buildings and paths.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · viridian green · ivory black

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white for highlights on the rocks and foliage. Mix cadmium red with burnt umber to create the red cloth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early without establishing the overall value structure.
  • →Failing to create a convincing sense of atmospheric perspective in the distant landscape.
  • →Overworking the colors and losing the freshness of the initial layers.
  • →Not paying enough attention to the subtle color variations in the rocks and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, ultramarine blue, titanium white, yellow ochre, cadmium red, viridian green, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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