apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St.Hippolyte Triptych
St.Hippolyte Triptych by Hugo van der Goes

plate no. 4533

St.Hippolyte Triptych

Hugo van der Goes, 1468

oilNorthern Renaissancereligious paintingfigureshorseslandscapeskyarchitecturereligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating atmospheric perspective. It also provides practice in composing a complex narrative scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement of figures and landscape elements within each panel.

  2. step 02

    Establish the basic color blocks for the sky, landscape, and architecture using thin washes.

  3. step 03

    Begin layering in details on the figures, starting with the underpainting for skin tones and drapery.

  4. step 04

    Develop the landscape further by adding details to the trees, hills, and buildings, using progressively smaller brushes.

  5. step 05

    Refine the figures, adding highlights and shadows to create form and volume.

  6. step 06

    Pay close attention to the details of the clothing and accessories, rendering textures and patterns carefully.

  7. step 07

    Add final details such as facial features, hair, and small objects to bring the painting to life.

  8. step 08

    Glaze the entire painting with thin layers of color to unify the composition and create depth.

color palette

primary · ultramarine blue · raw umber · titanium white · red ochre

secondary · yellow ochre · ivory black · cadmium red light · viridian

Mix various shades of brown and gray by combining raw umber, ivory black, and white. Achieve skin tones by blending red ochre, yellow ochre, and white, with small amounts of blue or green for shadows.

techniques

  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →getting overwhelmed by the complexity of the composition
  • →losing proportion in the figures
  • →muddying the colors by overmixing
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas (3 panels)
  • ·oil paints
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley