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home·artworks·St. Francis Receiving the Stigmata
St. Francis Receiving the Stigmata by Jan van Eyck

plate no. 8636

St. Francis Receiving the Stigmata

Jan van Eyck, 1427

oil, panelNorthern Renaissancereligious paintingfigureslandscapereligionrockscityscapecrucifix
experienced study

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as creating depth and atmosphere in a landscape using subtle color variations and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the major landscape elements.

  2. step 02

    Establish the underpainting with a thin wash of burnt umber, defining the light and shadow areas.

  3. step 03

    Begin layering in the local colors of the figures' robes, using a limited palette of browns and grays.

  4. step 04

    Develop the landscape, starting with the background and working towards the foreground, paying attention to atmospheric perspective.

  5. step 05

    Add details to the figures, including the facial features, hands, and the folds of the drapery.

  6. step 06

    Paint the crucifix and the figure of Christ, focusing on accurate anatomy and expressive details.

  7. step 07

    Refine the details of the rocks and vegetation, adding highlights and shadows to create texture and depth.

  8. step 08

    Apply glazes to unify the colors and create a sense of depth and luminosity.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue · viridian

Achieve the muted browns and grays by mixing burnt umber and raw umber with white and black. Use small amounts of yellow ochre, red, blue and green to subtly shift the color temperature.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurate rendering of the figures' anatomy and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints and brushes for best results. Consider using a toned canvas to simplify the underpainting process.

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