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home·artworks·St Elizabeth of Hungary Spinning for the Poor
St Elizabeth of Hungary Spinning for the Poor by Marianne Stokes

plate no. 1243

St Elizabeth of Hungary Spinning for the Poor

Marianne Stokes

oilArt Nouveau (Modern)religious paintingfigurespinning wheelreligiousinteriortextileshalo
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a muted palette and understanding how to depict textures of fabric and wood. Students will also learn about creating subtle gradations of light and shadow to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the spinning wheel.

  2. step 02

    Block in the main color areas: the red dress, green sleeves, background, and the wooden parts of the spinning wheel.

  3. step 03

    Begin to refine the figure's features, paying attention to the subtle shifts in value.

  4. step 04

    Add details to the spinning wheel, capturing its intricate structure.

  5. step 05

    Work on the background, creating a sense of depth and atmosphere.

  6. step 06

    Develop the textures of the fabric, using dry brush techniques to suggest the weave.

  7. step 07

    Add the halo and other decorative elements.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · red · green · brown · gold

secondary · ochre · ivory · black

Mix muted reds by adding brown or black to a bright red. Achieve the green by mixing yellow and blue, then toning it down with brown. Create the gold halo by layering yellow and brown, highlighting with pure yellow.

techniques

  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·figure drawing
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too bright or saturated.
  • →Not paying enough attention to the subtle shifts in value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, green, brown, yellow, black, white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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