apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St Christopher
St Christopher by Quentin Matsys

plate no. 7066

St Christopher

Quentin Matsys

oilNorthern Renaissancereligious paintingfigurewaterreligiouslandscapechildstaff
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering realistic skin tones and drapery folds, as well as understanding atmospheric perspective in landscape painting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the dark background and the general shapes of the landscape elements.

  3. step 03

    Block in the main colors of the figures, starting with the darkest shadows and gradually adding highlights.

  4. step 04

    Develop the details of the face and clothing, paying attention to the light and shadow.

  5. step 05

    Refine the water and reflections, using thin layers of paint.

  6. step 06

    Add the details of the child and the staff.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and details.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · ultramarine blue · yellow ochre · titanium white

Mix various shades of brown and red for the skin tones and drapery. Use ultramarine blue and white to create the atmospheric perspective in the background. Mix yellow ochre and white for the moon.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley