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home·artworks·St. Botolph Street
St. Botolph Street by George Luks

plate no. 0867

St. Botolph Street

George Luks, 1922

oil, canvasNew Realismgenre paintingfiguresbuildingsstreet scenestepsdoorwaysnight
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, simplifying complex scenes, and creating atmospheric perspective. It also provides practice in painting figures in a loose, expressive style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Block in the large areas of dark and light, establishing the overall value structure.

  3. step 03

    Mix the primary colors for the illuminated doorways and the surrounding dark areas.

  4. step 04

    Begin adding details to the figures, focusing on capturing their gestures and postures.

  5. step 05

    Refine the architectural details, paying attention to the shapes of the steps and doorways.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of atmosphere.

  8. step 08

    Add final details and refine edges as needed.

color palette

primary · yellow ochre · raw umber · ultramarine blue

secondary · titanium white · cadmium red light · ivory black

Mix yellow ochre with white for the illuminated doorways. Use raw umber and ultramarine blue to create the dark, muted tones of the surrounding areas. Add small amounts of cadmium red to warm up the shadows.

techniques

  • ·blocking in
  • ·chiaroscuro
  • ·loose brushwork
  • ·atmospheric perspective
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to establish a strong value structure, resulting in a flat, unconvincing image.
  • →Using colors that are too bright or saturated, disrupting the overall mood.
  • →Neglecting the importance of edges and transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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