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home·artworks·St Barbara (Sebastiansaltar)
St Barbara  (Sebastiansaltar) by Hans Holbein the Elder

plate no. 6749

St Barbara (Sebastiansaltar)

Hans Holbein the Elder, 1516

oilNorthern Renaissancereligious paintingfiguresaintarchitecturelandscapetowerreligious
some experience helpful

Recreating this painting will help students develop skills in rendering realistic drapery and understanding the use of light and shadow to create form. It also offers practice in depicting intricate details such as the crown and architectural elements.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the tower, and the architectural frame.

  2. step 02

    Establish the background landscape with thin washes of color, focusing on the overall tonal values.

  3. step 03

    Block in the main colors of the figure's clothing, paying attention to the folds and drapery.

  4. step 04

    Start building up the shadows and highlights on the figure's face and hands, using subtle gradations of color.

  5. step 05

    Refine the details of the clothing, including the patterns and textures.

  6. step 06

    Paint the architectural elements, focusing on accurate perspective and detail.

  7. step 07

    Add the final details, such as the crown, the chalice, and the background elements.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · red ochre · titanium white · ultramarine blue

secondary · raw umber · yellow ochre · ivory black

Mix various shades of red by combining red ochre with small amounts of ivory black for shadows and titanium white for highlights. Create the blue-grey tones by mixing ultramarine blue with white and a touch of raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Getting the drapery folds to look unnatural or stiff.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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