apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Anthony
St. Anthony by Lucas Cranach the Elder

plate no. 9028

St. Anthony

Lucas Cranach the Elder, 1520

oilNorthern Renaissancereligious paintingfigurelandscapedemonstreereligioussky
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and complex compositions with multiple elements. Students will also learn to create depth using atmospheric perspective and color mixing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, landscape, and demons.

  2. step 02

    Block in the main shapes and colors of the background landscape, focusing on creating depth with lighter values in the distance.

  3. step 03

    Establish the basic forms of the figure, paying attention to the folds and shadows in the drapery.

  4. step 04

    Begin to refine the details of the face, hands, and beard, using subtle color variations to create a sense of realism.

  5. step 05

    Paint the demons and other fantastical creatures in the sky, using a variety of colors and textures to create a sense of chaos and movement.

  6. step 06

    Add details to the tree and other foreground elements, using a dry brush technique to create texture.

  7. step 07

    Refine the overall composition and add final details, such as highlights and shadows, to create a sense of depth and realism.

  8. step 08

    Glaze the painting to unify the colors and add a sense of depth.

color palette

primary · red · green · brown · white

secondary · yellow · blue · gray

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create highlights. Browns can be created by mixing red, yellow, and blue.

techniques

  • ·glazing
  • ·dry brush
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly bright or saturated colors
  • →Lack of depth in the landscape
  • →Poorly rendered drapery folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley