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home·artworks·Sri Krishna, as a young child with foster mother Yasoda
Sri Krishna, as a young child with foster mother Yasoda by Raja Ravi Varma

plate no. 1202

Sri Krishna, as a young child with foster mother Yasoda

Raja Ravi Varma

oilAcademicismmythological paintingfigurechildmotherlandscapefoliagejewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery, as well as creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main areas of color, starting with the background landscape.

  3. step 03

    Develop the skin tones of the figures, using a limited palette of earth tones and white.

  4. step 04

    Add details to the drapery, paying attention to the folds and shadows.

  5. step 05

    Paint the jewelry and other decorative elements, using small brushes and precise strokes.

  6. step 06

    Refine the facial features, focusing on capturing the expressions of the figures.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to create a harmonious composition.

color palette

primary · burnt umber · yellow ochre · titanium white · alizarin crimson

secondary · ultramarine blue · viridian green

Achieve skin tones by mixing burnt umber, yellow ochre, alizarin crimson, and white. Use ultramarine blue and viridian green sparingly to create cool shadows and atmospheric effects.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Neglecting the details of the facial features.
  • →Ignoring the effects of light and shadow.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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